Back in 2009 three films got made under our Film Board's low-budget Catalyst scheme to help fund new directors. The resulting films were promising:
100 mornings was a Corman-cabin-in-the-woods-futuristic effort,
Eamon was a naughty-kid-on-holiday movie and
Rewind was an ex-boyfriend-stalker thriller. The scheme was set up to help promising filmmakers. Sadly, a decade on not one of these title's directors has made another feature. So what was the point of this scheme?